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I’m afraid my interpretation of this song has an extra beat in the last bar – I don’t know why but I have this tendency to play things as I think they should be played regardless of the given time signature. That said, while searching the net for other examples I found a few that had one bar of 3/4 and one bar of 5/4. If you listen to other people playing it, you’ll see that most of them manage to get the tune into 4/4 all the way through.
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The first arpeggio is directly ripped off from Yngwie Malmsteen’s Arpeggios from Hell, the rest I just made up in that same kind of Baroque style.
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