I like this tune because it switches between dm and d dorian, the only difference between the two being B/Bb – the tune called Jenny’s Chickens is similar.
La Rotta is a 14th century Italian dance (estampie). Very simple and repetitive, it makes a great campanella picking exercise.
I learned this piece a long time ago from John Renbourn’s book ‘Guitar Pieces’. It was arranged in DADGCD tuning and on the album ‘the Lady and the Unicorn’ he overdubs a glockenspiel (I think) where in the second part it plays two bars behind the guitar in a kind of round. On the video I added a delay to the uke in the second part to create a similar impression of one instrument being a little ‘late’.
I wanted to be able to play harmonics on both instruments, so the guitar part is a very simple arrangement in open G minor (DGDGBbD).
Get the tab for this here.
These exercises are for players who want to learn to play fingerstyle ukulele. They are not for complete beginners, you have to be able to play a bit and be comfortable changing chords. The fourth and fifth exercises are quite tricky – they are techniques used by classical guitarists (and uke players!). I do find it hard to judge whether a piece or an exercise is easy, intermediate or advanced as I’m not really sure what my own level is! You will hear a few mistakes (fret buzzes, missed notes, hesitations)… sigh… well I’ll never be Jake or James but I hope that I can share something useful with you.
here are the links to the tabs:
exercise one (arpeggio up and down)
exercise two (pluck the third and fourth with your thumb and try using different fingers for the first and second)
exercise three (pluck the first string with ring, middle and index – you can do it always with the same finger, but alternating this way is good training for the next exercise, the tremolo)
exercise four (tremolo is rapid playing of the same string by quickly plucking with ring, middle then index)
exercise five (harmonics – pay attention to the last chord (E7) you need to use your index finger to touch the string on the fourteenth – because you are holding the note on the second fret – then pluck with your ring – watch carefully if you’ve never done this before)
I must admit that I hated, I mean really hated ukuleles until quite recently. Guitars were my life. A total obsession. Not that I was ever a great guitarist, I’m an average player I guess but perhaps with an above-average passion. Guitars, guitars, guitars, that’s practically all I’ve been interested in since I was a nerdy teenager. How I wished I could have been Angus Young or Pete Townsend wielding my ax in front of a stadium full of adoring fans. Alas, I would never be that good, but guitars for me were still the coolest things ever invented.
Ukuleles, on the other hand, are not cool. They look like toy guitars and they only have four strings. You can only play plinky-plonky strummy chords on them. The only time they look good is in the hands of some cute, grass-skirted Hawaiian girl. Simply put, they are not rock ‘n’ roll. Not a symbol of rebellion. No-one ever smashed a ukulele on stage (would all be over too quickly). My dad used to sing George Formby songs and that was enough for me dismiss the instrument for life.
A little glimmer of curiosity was aroused however a few years ago when we stayed a few days with some friends and I was asked to tune the little ‘guitar’ that they had bought for their son of about six. My diagnosis was rapid, it certainly wasn’t a guitar but a wretched ukulele – guitars have six strings, not four. Then I noticed the bottom string wasn’t bottom – it was thinner than the two middle strings. Huh, they didn’t even put the strings in the right order, what cretin sold you this? – I thought privately, not out loud. I searched for ‘how to tune a ukulele’ and found that there was no mistake, the ‘bottom’ string should be high G (so not bottom either in position or pitch, I’ll call it fourth string from now on). So I get it tuned up to what I later discover is called re-entrant tuning. Interesting. I take a piece of paper and a pencil and start writing out chord shapes of easy chords so I can play a few songs. But the fingerstylist in me can’t resist picking those strings instead of strumming, and I find that the high g sounds nice. I shouldn’t have been surprised, I have a Bolivian charango where the course in the middle is tuned at octaves, so I knew that not all guitar-like instruments are tuned in ascending order.
Moving on to a couple of years ago, and I think to myself that it’s a pity that when we take the car to go away on holiday or for a weekend there’s never enough room for my guitar, what with the kids, the luggage and often, the dog. So walking around Bordeaux centre one day I buy a ukulele. I explain to my wife, yes, yes, I know, I’ve always hated ukuleles, but hey, it’s just a small guitar, and it might be easier for our son to get started with music on a uke rather than on my big steel-stringed guitar. And it takes up virtually no space in the car!
I didn’t have the scribbled chord diagrams from before, so the easiest thing to do is print some off the internet. And that’s when I discovered by chance a site called ukulelesecrets.org by Tim Keough. Tim arranges tunes in campanella – a word that I guessed had something to do with bells (campanology is the proper word for church bell-ringing, and a campanile is an independent bell tower). This blew me away. Obviously it was a big advantage for me to have played finger-style guitar (often in open tunings) for many years so these arpeggios were some of the first things I learned on the uke:
thanks to this man, my opinion of ukuleles went from ‘toy guitar for nerds’ to ‘amazingly versatile instrument with cool sound’.
So what exactly is campanella? It actually means “little bell” and that’s the effect we’re trying to get – when you hear church bells, one doesn’t stop ringing before the next one starts – they all ring at the same time. The same for a harp. A harp doesn’t have a neck where you can put your fingers to change the pitch of a string, so one string, one note. On the ukulele (and other fretted instruments, notably the baroque guitar), campanella picking means avoiding playing two notes on the same string whenever possible, taking advantage of the re-entrant tuning (where two strings are only one tone apart). Using open strings as much as you can and alternating between strings rather than playing successive notes on the same string really does make the uke sound like a little harp.
Arranging tunes in campanella is challenging, but ukulele re-entrant tuning (high G) makes it possible. Most of the tunes I’ve uploaded were first learned on other instruments (guitar, mandolin, whistle) so the first thing I do is figure out the tune on the uke anywhere (i.e. not campanella), then when I’m happy that the tune is accurate, I try to look for different ways to play it avoiding playing two notes on the same string.
Watch me playing some campanella scales and download the tabs over here
Campanella (“little bell”) is a way of playing that allows multiple strings to ring at the same time, creating a harp-like sound. The ukulele with its re-entrant tuning (assuming it’s tuned with a high G) is really suited to this style of playing. The principle is to avoid playing two consecutive notes on the same string, let the notes sound as long as possible and prefer open strings to fretted notes whenever you can.